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I grew up loving quilts. I have ones that were made by my great grandmother, my grandmother, and my Aunt Nellie. They’re old and beautiful, with tiny stitches and scraps of memories scattered over them like the leaves that are rustling through my yard these days. While I treasure the quilts and the memories, making quilts wasn’t something I ever truly thought I’d do. For one simple reason.
They are art.
I am a
writer. I’ve had nine books published and am still at it. There is little that
I love more than writing, but it’s a craft to me, not an art. Some writers are artists, and I writhe with envy when
I read their books, but I am not. This is okay with me. I just write.
But then I
had grandchildren—they are seven of the things I love more than writing. When I
got ready to retire, I was afraid—for one wild, crazy instant—that I would be
bored, so I thought why not go ahead and make a quilt for each grandchild? Not
fancy like the old ones I have that would require anything artistic of me, but
simpler patterns. After all, I liked to sew. How hard could it be?
Ahem.
It could be
hard. And it was. Especially since I haven’t had a single minute of boredom
since I retired—there hasn’t been time. Five of those nine books have been
published in the three and a half years since retirement, six of the seven
quilts are made, and I’ve never had so much fun in my entire life.
Quilts tend
to consume the person who’s making them. I started out with a 6-inch by 24-inch
ruler, a rotary cutter, a cutting mat, and enough fabric for the quilt I was
making. I now have many rulers, many cutters, a mat that completely covers my
cutting table, and enough fabric to cover a small country.
Years ago, I
wrote a book called The Debutante’s Second Chance, a Silhouette Special Edition. In it, the heroine made a
quilt. It was incidental. When I wrote A Soft Place to Fall, the heroine opened a quilt shop, and it wasn’t
incidental at all. In my newest book, Back to McGuffey’s, Kate is a lover of quilts. In my work-in-progress, Arlie has
a quilt room many of us would cheerfully die for. Quilting and writing have
over time become inextricably intertwined.
I’m working
on Number Seven on my grandkids’ quilts. It’s still a craft to me; I can’t do
anything without a pattern and need help choosing fabric every single time.
Likewise, I’m working on my Number Ten book and I’m still a craftsman, not an
artist. And it’s still okay with me.
What I love,
and what maybe is a little artistic,
is what is alike in books and quilts. They both have stories to tell, they’ll both
be around for children and grandchildren, they both contain beloved memories
within their construction. Not big memories, perhaps, like wedding days or
births or even bittersweet goodbyes, but ones that lie gentle in the pockets
behind their owners’ hearts. When the quilts are used or the books read, the
memories slip out and create magic.
And there it
is. Whether writers and/or sewists artists or craftsmen, we have the
opportunity to create magic. Aren’t we the lucky ones?
Thanks for
having me here today. I’ve enjoyed it. I hope you find the magic.
******
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The one that got away...
Back to McGuffey's
The one that got away...
Could Kate Rafael’s day get any worse? First she lost her job, then her house burned down and now her ex is back in town. Apparently, Ben McGuffey's taking a break from being a big-city doctor to help at his family’s tavern and reassess the choices he's made for his career.
Ben ends up giving Kate a hand...then giving her kisses...and finally, a second chance. But when a local teenager shows them both a glimpse of what it means to be a family, Ben wonders if having kids in small-town Vermont would clash with his ambitions. Or can he truly come home again…to Kate?
Liz retired from
the post office and promised to spend at least fifteen minutes a day on
housework. Not wanting to overdo things, she’s since pared that down to ten.
She spends non-writing time sewing, quilting, and doing whatever else she wants
to. She and Duane, her husband of…oh, quite a while, are the parents of three
and grandparents of the Magnificent Seven. They live in the old farmhouse in
Indiana they moved to in 1977. They’ve talked about moving, but really…37
years’ worth of stuff? It’s not happening! She’d love to hear from you at lizkflaherty@gmail.com
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